Summary of Richard Walter’s Discussion on Stereotypes in “Essentials of Screenwriting”
The past two blogs have provided a summary of Richard Walters discussion on character development and evoking sympathy for charact…
The past two blogs have provided a summary of Richard Walters discussion on character development and evoking sympathy for charact…
The previous blog was a summary of the first section of Chapter Eight in Richard Walters Essentials of Screenwriting focusing on c…
My daughter, Amelia Nakone is an accomplished visual artist and writer. She has won a competition with her self-portrait in South …
This blog will summarise a section of Chapter Eight in Richard Walters Essentials of Screenwriting; this section deals with charac…
Christopher Booker's Seven Basic Plots is only a relatively new analysis of storytelling published in 2004. Booker has bravely att…
As described previously the re birth plot can be seen as essentially two states, one where there is a dark spell over the protagon…
It is fitting that I am writing this on Valentines day, because the central redemptive force in this plot line (re-birth) is the l…
These two very famous tragedy plots written by the same remarkable author, both reveal Bookers five stages of a tragedy but contra…
Christopher Booker argues that when looking for the deeper pattern in storytelling most satisfying and complete stories (and by no…
One of the most profound stories I can remember ever being told was that of the famous Boston Crowbar case, Phineas Gage. Phineas …