Get on the Bus
by Kathleen Burke In the world of film, like in any of the arts, there’s a bus; a mental montage that carries you to the fulfil…
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Learn from the best: Exclusive interviews with expert filmmakers
As part of G-Technology’s ongoing support for the ÉCU community as platinum sponsor, we’ll be bringing you regular exclusive …
The Perfect Production Assistant: G-Drive Slim gets 5 star review from Macworld!
Good things come in small packages! And hard drives don’t come much better or thinner than the G-Drive Slim – it is the perfec…
Official Selection 2011
ÉCU- THE EUROPEAN INDEPENDENT FILM FESTIVAL 2011 OFFICIAL SELECTION ANNOUNCED 78 films from 25 countries to be screened in Paris…
The Economist Film Project
The Economist, launched in 1843, is spreading its journalistic wings and taking on new areas of media with its brand new documenta…
Antoine, Bibi and Casimir
by Marie-Charlotte Fossard Three friends, three personalities and three differents way of living and loving clearly defined. Anto…
Pierrick Sorin’s one-man show at 104
The exhibition of Nantes-born video artist Pierrick Sorin, currently nestled in blacked out corners at Centquatre, is very much a …
The Horror in Music Videos
by Marc Rickenbach I was thinking recently about where we might see a crossover between music videos and films. There’s the obv…
Nan Goldin: Scopophilia at the Louvre
Nan Goldin’s photography slide-show at the Louvre gives new life to iconic artwork seen alongside personal photos from the artis…
Script Competition
Submissions for the ÉCU 2011 Script Competition is OPEN! ÉCU, The European Independent Film Festival, is pleased to be hosting …
