Agamben was educated at the University of Rome, where he wrote an unpublished thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars (on Heraclitus andHegel) in 1966 and 1968.[4] In the 1970s, he worked primarily on linguistics, philology, poetics, and topics in medieval culture. During this period, Agamben began to elaborate his primary concerns, although their political bearings were not yet made explicit. In 1974–1975 he was a fellow at the Warburg Institute, University of London, due to the courtesy of Frances Yates, whom he met through Italo Calvino. During this fellowship, Agamben began to develop his second book, Stanzas (1977).
Agamben was close to the poets Giorgio Caproni and José Bergamín, and to the Italian novelist Elsa Morante, to whom he devoted the essays "The Celebration of the Hidden Treasure" (in The End of the Poem) and "Parody" (in Profanations). He has been a friend and collaborator to such eminent intellectuals as Pier Paolo Pasolini (in whose The Gospel According to St. Matthew he played the part of Philip), Italo Calvino (with whom he collaborated, for a short while, as advisor to the publishing house Einaudi and developed plans for a journal), Ingeborg Bachmann, Pierre Klossowski, Guy Debord, Jean-Luc Nancy,Jacques Derrida, Antonio Negri, Jean-François Lyotard and others.
His strongest influences include Martin Heidegger, Walter Benjamin and Michel Foucault. Agamben edited Benjamin's collected works in Italian translation until 1996, and called Benjamin's thought "the antidote that allowed me to survive Heidegger".[5] In 1981, Agamben discovered several important lost manuscripts by Benjamin in the archives of the Bibliothèque nationale de France. Benjamin had left these manuscripts to Georges Bataille when he fled Paris shortly before his death. The most relevant of these to Agamben's own later work were Benjamin's manuscripts for his theses On the Concept of History.[6] Agamben has engaged since the nineties in a debate with the political writings of the German jurist Carl Schmitt, most extensively in the studyState of Exception (2003). His recent writings also elaborate on the concepts of Michel Foucault, whom he calls "a scholar from whom I have learned a great deal in recent years".[7]
Agamben's political thought was originally founded on his readings of Aristotle's Politics, Nicomachean Ethics, and treatise On the Soul, as well as the exegetical traditions concerning these texts in late antiquity and the Middle Ages. In his later work, Agamben intervenes in the theoretical debates following the publication of Nancy's essay La communauté désoeuvrée (1983),[8] and Maurice Blanchot's response, La communauté inavouable (1983). These texts analyzed the notion of community at a time when the European Community was under debate. Agamben proposed his own model of a community which would not presuppose categories of identity in The Coming Community (1990). At this time, Agamben also analyzed the ontological condition and "political" attitude of Bartleby (from Herman Melville's short story) — a scrivener who does not react, and "prefers not" to write.
Currently, Agamben is teaching at Accademia di Architettura di Mendrisio (Università della Svizzera Italiana) and has taught at the Università IUAV di Venezia, the Collège International de Philosophie in Paris, and the European Graduate School in Saas-Fee, Switzerland; he previously taught at theUniversity of Macerata and at the University of Verona, both in Italy.[9] He also has held visiting appointments at several American universities, from theUniversity of California, Berkeley, to Northwestern University, Evanston, and at Heinrich Heine University, Düsseldorf. Agamben received the Prix Européen de l'Essai Charles Veillon in 2006.[10]
In 2013 he was awarded the Dr. Leopold Lucas Prize by the University of Tübingen for his work titled Leviathans Rätsel (Leviathans Riddle, translated into English by Paul Silas Peterson).[11]
