Michael Cera's omnipresence: maybe not a terrible thing?

Youth in Revolt stars Michael Cera as Nick Twisp, the nebbish-gone-wild hero of Miguel Arteta's adaptation of C.D. Payne's cult-favourite novel of the same name. Trying and failing to win the attention of the sexually sophisticated Sheeni Saunders (Portia Doubleday), Nick is visited by the realization that he needs to create an alter-ego, an edgy bad-boy named Francois Dillinger. Francois has blue eyes and a moustache, he smokes, he trashes Nick's record collection and coaches him through a spree of arson, property destruction and sexual triumph.

The film, like Payne's book, is slightly… off, in a very good way, three quarters heart-warming, smart character study and one quarter aggressive comic nihilism. There's an edge here, a very very pleasant one. It's left-field humour and frankness about boners makes the film feels like the work of people who are interested in the film as a funny film rather than as a vehicle. It's old-fashioned, a little punk, a little tiny bit jagged and very funny. The cast is outstanding, including performances by Jean Smart, Fred Willard, Ray Liotta, Steve Buscemi, Zach Galifianakis and newcomer Adhir Kalyan as Nick's partner-in-crime, Vijay. Arteta has filled the film, whose script is dense and literary, with more than enough visual humour and style to keep the film from getting too bogged down in its own witty verbosity.

Arteta (who rose to deserved indie prominence with the excellent Star Maps and Chuck & Buck) has found in Cera a really rare comic actor at a really rare moment; a genuine talent on the verge of deserved super-stardom. Cera absolutely mastered (at 15 or 16 seemingly) the smart-funny anxious and awkward comedy of sweaty palms and gawkish, aware nerd-hood, starring as cousin-loving Michael in "Arrested Development" and Evan in his breakout hit Superbad. He's doing similar things in the very funny Youth in Revolt but what matters, what's exciting, is that Cera seems willing to modulate his image (an image that's worth literally millions of dollars) by taking roles in films like Arteta's not-exactly-totally-run-of-the-mill teen sex flick and this past summer's very neat, very brave Paper Heart. His role in Youth in Revolt belies both a self-awareness and a willingness to take risks, to poke and twist his safe "Paulie from Juno" image. Which is why he's still funny, despite the occasional disaster (Year One, Nick and Norah's Infinite Playlist). It's suggestive of longevity and legitimate wit, and as somebody who wholeheartedly loves funny people in funny films, it's exciting.
Our score: 8/10