Crane Wilbur (November 17, 1886 - October 18, 1973) was an American writer, actor and director for stage, radio and screen. He was born in Athens, New York. He died in Toluca Lake, California.

Crane Wilbur was a prolific writer and director of at least sixty-seven motion pictures from the silent era into the sound era, but it was as an actor that he found lasting recognition, particularly playing opposite Pearl White in the iconoclastic serial, The Perils of Pauline. He brought to the first motion pictures merry eyes, a great, thick crop of wavy, black hair, and an athlete’s interest in swimming and horseback riding. Twelve years of stage experience prepared him before he ventured into the then new art of silent motion pictures. He was one of the first to explore the techniques required to communicate through the wordless shadows of the movies.

He was born Irwin Wilbur on November 17, 1889, in Athens, New York. His father was a shipbuilder who died by his own hand while his son was a young man.

In an article in the October 1915 issue of Motion Picture Magazine, Crane recalled, “My life hasn’t been a path of roses, nor always the straight and narrow road. It has been mostly uphill, rocky climbing, with many a slip and stumble, a few falls and several scars to tell the tale.” He went on to add, “I have become what I am and have gained what I have by hard work. My preparatory school was the Academy of Experience, and I was finished in the College of Hard Knocks! I come of a theatrical family—was born at a rehearsal on a one-night stand; so, you see, I had to be an actor—I couldn’t help it.”

His first appearance in a movie was in 1910 in The Girl From Arizona. Years later, he remembered the experience: “When my first picture was finished I haunted the picture theaters, trying to see it, and when I finally did see it, oh, what a disappointment! It isn’t always pleasant to see yourself as others see you. But it was a great lesson, that first picture. I did many things in that first one that I did not do in the second. It has always been most pleasant work to me, out in the open most of the time, playing manly, vigorous roles, living a hundred different lives before the camera.”

In seventeen films made between 1910 and 1913, Crane established himself as a realistic performer who brought youth, good looks, and strength to his characterizations.

In April 1910, the American Pathé studio formed and began producing films in a remodeled cash register factory at Bound Brook, New Jersey. Paul Panzer was one of its first players. Pearl White, a performer from vaudeville who had some movie experience with the Powers Picture Play Company, joined the fledgling studio. Crane connected up with these players and became one of their stock company. When the company planned to make a serial, The Perils of Pauline, in 1914, Crane wanted the lead male role that would pair him with Pearl White. He tested for and won the coveted role of Harry in the proposed serial.

In 1916, Crane scored a personal hit with a five-reel Mutual Masterpiece film, Vengeance is Mine, a thrilling story about the abolishment of capital punishment.

Vitagraph then hired him for his next assignment, The Heart of Maryland (1921), and on completion of the film, Crane broke from film work altogether. For several years, he dropped out of Hollywood, and returned to the stage, his first love. He wrote a modernization of The Bat, a play by Mary Roberts Rinehart and Avery Hopwood. There just was no work for him as an actor in films, so he took to the road. In 1924, Crane was touring in his own play, The Monster, a mystery story that made The Bat look like a bedtime story. He was notably for his 1926 success in New York on Broadway in The Bride of the Lamb with Alice Brady, and later in 1930 in On the Spot with Anna May Wong.

Crane returned to Hollywood in 1929 to resume his acting, writing, and directing career with many fictional and documentary films. In 1934, He appeared as an actor in three films: Name the Woman, High School Girl, and Tomorrow’s Children, and also directed the last two.

As an actor, he played his last on-screen part in Jungle Queen (1945). His work as a writer and director continued for the next twenty years. Outstanding successes, many of which are still shown today, include the horror film, House of Wax (1953). In 1959, Allied Artists made a contemporary film of The Bat, starring Vincent Price and Agnes Moorehead and directed by Crane.

Crane’s modernization of the play by Mary Roberts Rinehart and Avery Hopwood had been an enormous success for many years, grossing upwards of $9,000,000. The story of eerie happenings in a creepy mansion rented for the summer by a writer of mystery novels had been perennially exciting for audiences, and kept him comfortably funded with royalties for years. Other films followed, including Solomon and Sheba (1959) and Mysterious Island (1961).

Crane suffered a stroke, and then died on October 18, 1973, in Toluca Lake, California.